Ian worked in the Department of Geography at the University of Wales, Lampeter from 1993 to 1999 and in the School of Geography at the University of Birmingham from 2000 to 2007, before moving to Exeter where he is working right now. [Ian Cook;] Home. Amory Building, University of Exeter, Rennes Drive, Exeter, EX4 4RJ , UK. Fashion ethics after the Rana Plaza factory collapse (University of Exeter Grand Challenge, Exeter Guildhall shopping centre, 2-6 June 2014: website). Cook follows his commodity from the field to the plane, to the London supermarket, and to the fruit bowl. I’m an associate professor of geography at the University of Exeter. These conversations were, A new field of “public geographies” is taking shape (Fuller 2008) in geography’s mainstream journals. Joan and Neville Gabie have been working on a collaborative commission with Geographer Ian Cook on a series of film based drawings, working with the pigment Bideford Black, a naturally occurring carboniforous pigment, once mined in the area. Presenting as automatic and only partially visible, creatively constructive acts of ‘dataveillance’ are integral to this explosion of 'stuff'; conditioning our daily lives as milieus of consumption that channel profit to the propertied classes, often with socially and environmentally damaging consequences (Gabrys 2016, van Dijck, 2014, Tsing, 2013). How was the original described by reviewers and audiences? followthethings.com, 2) The Museum of Contemporary Commodities. So, is it possible to develop a radical, less didactic, geography? | Discover your future through the Forebuy service. Ian Cook (geographer), professor of geography at the University of Exeter Ian Cook (artist) (born 1983), English artist Ian Cook (psychiatrist) (born 1960), physician-researcher at UCLA Ian Cook (footballer) (born 1924), Scottish footballer If you have the appropriate software installed, you can download article citation data to the citation manager of your choice. and to preach to the converted. Drawing on the examples researched in followthethings.com's Fashion Department and the pedagogical practice from Ian's 'Geographies of Material Culture' module, in June 2014, he directed a week-long public research project called 'Fashion ethics after the Rana Plaza collapse' from a disused shop in Exeter's Guildhall Shopping Centre. Everyday low prices and free delivery on eligible orders. About Currently I am Emeritus Professor of Human Geography at Liverpool John Moores University. It’s an online shop, a database, a resource and a field-site for people who want to learn from, and create, this kind of work. This page was last edited on 27 February 2019, at 12:51. Advisory Board member: Blood Bricks, ESRC-DFID funded project (PI Prof Katherine Brickell, Royal Holloway, University of London). Progress in Human Geography 2006 30: 5, 655-666 Download Citation. In Moss P (ed), https://geography.exeter.ac.uk/staff/index.php?web_id=Ian_Cook&tab=profile, https://en.wikipedia.org/w/index.php?title=Ian_Cook_(geographer)&oldid=885344407, Academics of the University of Birmingham, Creative Commons Attribution-ShareAlike License. Since 2013, Ian has been working with a group of ethical fashion pioneers, NGOs, journalists, academics and others dedicated to marking the week of 24 April (in 2013, the day the Rana Plaza garment factory in Bangladesh collapsed, killing over 1,100 workers) as Fashion Revolution Week. Hack Circus (Issue 8, Prediction) September, Lizzie Lloyd (2015) Review of Bideford Black: The Next Generation, Burton Art Gallery and Museum, Devon. It seems. Key publications | Publications by category | Publications by year, Visiting Professor in Geography, Université Paris Diderot (2016-17), Member, Fashion Revolution  Global Coordination Team (2016-), Fashion Revolution Global Education & Resources Lead (2014-2016), Member of the Geography Education Research Collective (2013-), Trustee of the Geographical Association (2011-2016), ​Academic Advisory Board member, Students & Scholars against Corporate Misbehaviour (2008-), Geography Compass (Oxford: Blackwell: cultural geography editor, 2006-2012), Cultural Geographies (London: Sage - editorial board member, 2011-), Geography (Sheffield: Geographical Association - editorial board member, 2008-), ACME: an on-line journal for critical geographies (editorial board member, 2000-2007), Qualitative research (London: Sage - editorial board member, 1999-), MA in Food Security and Food Justice, University of Sheffield (2015-2018), University Preparatory Certificate in the Humanities (Geography), UCL (2008-2011), Ian Cook et al (2020) How to be a Fashion Revolutionary? The course is based in Exeter which is a great university city - small enough to get to know, big enough to have fun. Both of us have convened and taught undergraduate modules on material geographies (see Cook et al: 2007). Nonetheless, it seeks to ask fresh questions through the medium of academic papers that initially grew from what might itself be deemed a practical civic intervention, namely contributions to an exhibition held in 2012 at an international Geography conference. Doing Ethnographies. But, we do things quite differently, from each other, and from others. (2019) and anyone else who’s interested. Re-connected. Ian Cook is Associate Professor of Geography at the University of Exeter in the UK, and formerly senior lecturer in geography at the University of Birmingham, and lecturer at the University of Wales, Lampeter. E-mail Citation » The most significant early guide to ethnography as a method for human geography. It demonstrates the importance of culture in the development of debates in other subdisciplines within geography and beyond. 2006; 2008a). The article draws on and contributes to political and academic. These strands have collided in the making of a website called followthethings.com which simultaneously critiques the injustices embedded in everyday things, whilst also being made and maintained using everyday things, most notably a laptop, its software and the technical infrastructure of web2.0. Geographers disagree about whether playing with things distracts us from, or helps us to more critically engage with, questions of justice, poverty, exploitation, environment and the commodity. Ian Cook, Simon Naylor, James Ryan, David Crouch (eds.). It showcases ‘follow the thing’ films, books, academic journal articles, art installations, newspaper articles and undergraduate research. How did its makers aim to grab its audiences? New pages continue to be added and, most recently, work with Finnish media literacy activist Eeva Kemppainen and funded by the Kone Foundation has seen the updating and completion of additional examples of 'follow the thing' cultural activism drawing on techniques of culture jamming, including: Best, T., Gibson, T., Massey, B., Rees, C., Ross, K. & Sherman, J. Ian worked in the Department of Geography at the University of Wales, Lampeter  from 1993 to 1999 and in the School of Geography at the University of Birmingham from 2000 to 2007, before moving to Exeter where he is working right now. The research on which it is based was initially energized by David Harvey’s (1990:422) call for radical geographers to ‘‘get behind the veil, the fetishism of the market’’, to make powerful, important, disturbing connections between Western consumers and the distant strangers whose contributions to their lives were invisible, unnoticed, and largely unappreciated. Ian is co-organising that ‘Geography and Materiality’ series. [4] He has written more widely on human geography, including one major textbook. It concludes that a structural ambivalence can be identified, such that consumers have both a need to know and an impulse to forget the origins of the foods they eat. [2] He began his academic career at the University of Wales, Lampeter (1993-9), then worked at the University of Birmingham (1999-2007), before moving to Exeter in 2007.[3]. Invited panel contribution on ‘Open Access Publishing: a stock-take and critical debate’, RGS(IBG) annual conference, London, UK, Ian Cook et al (2010) Shopping online: new sites and technologies for 'follow the thing' research. In 2015, Paula, Ian and their collaborators curated connections between trade-place-data-values in Finsbury Park, culminating in July in MoCC's 'Free Market' at Furtherfield's Galllery (watch the video here). Cook IJ (2001). We will scientifically predict your next most urgent desire and discover in real time which affordable and amazing product is ready and waiting for you. Invited contribution to the 'Social Movements, everyday life and the political of sustainable consumption' workshop, Sustainable Consumption Institute, University of Manchester, UK, Ian Cook et al (2018) Follow the things: who makes the things we buy, where, how and under what conditions? But not by setting out the right ways to think, be, or act. This book addresses the impact, significance, and characteristics of the 'cultural turn' in contemporary geography. IBG Catmog, 58. Aesthetica 2 November, Olivia Edward (2013) I‘m a geographer: Ian Cook. Commodity geographies are politically weak. Through communication strategies giving audiences something to think about and to think with, to argue about and to argue with. Helen Griffiths (2005-2010) Engaging students as citizens and consumers innew school geographies (ESRC-funded PhD, co-supervisedwith James Evans). | Take a quiz! At the same time, scholars of social and environmental (in)justice are experimenting with web2.0, using wikis, blogs, twitter and other social media to conduct and disseminate their research. with research funding, publication and teaching the way they are? Ian was shortlisted for the University of Exeter Student Guild's 'Innovative Teaching' award in 2010, 2011 and 2012. Within Geography at Exeter, Ian is Director of Communications and External Relations and Equality and Diversity rep. Ian is also the cultural geography editor of Geography Compass and serves on the editorial boards of Qualitative Research and Geography. Using our site | Freedom of Information | Data Protection | Copyright & disclaimer | Privacy & cookies. But their politics have been placed largely in the background, between the lines of, or separated out from, the presentation of scenes, things, relations, bodies, lives and voices. A truly individualised datafication process, and a great souvenir of the Free Market! To create a different kind of imaginary, a new conversation, to ask or answer questions and consider the values we associate with the things and stuff that help to make us who we are, and to shape the places in which we live. This website / paper was initially put together for Ian Cook et al’s presentation at the Doing collaboration differently: challenging an unequal academy workshop at Leeds University on January 12th, 2009, organised by Shona Hunter. | ever fancied your having your portrait drawn by a street artist? This paper has been written to provoke such questions, to provide material s to think through and with, for geography’s ongoing debates about the politics of consumption. Look at the University of Exeter, Professor Ian Cook, professor of cultural/human geography. But it’s an approach that may be radical in effect because its ‘politics’ aren’t so straightforward or ‘up front’. Harvey argued that radical geographers should attempt to de-fetishise commodities, re-connect consumers and producers, tell fuller stories of social reproduction, and thereby provoke moral and ethical questions for participants in this exploitation who might think they’re decent people. online course in the summers of 2017 and 2018. Copyright University of Exeter. In 2020 he contributed a lecture and a workshop presentation to Fashion Revolution Brazil's 'Young Fashion Revolutionaries' initiative, which led to the publication of this 'how to' booklet for Brazilian educators and students. To consider every shop, online store and warehouse full of stuff as if it were a museum, and all the things in it part of our collective future heritage. Basil Gomez is an Editor-in-Chief of the online journal Geography Compass.He has published widely across a number of journals. Cook, Ian, and Mike Crang. In a recent round table about Antipode’s radical geographies, contributors argued that the journal needed more papers which stimulated debate, were accessible to academics and non-academics alike, didn’t ‘‘preach to the cognoscenti’’, were written to fit into radical teaching agendas, and were diverse and eclectic in style (Waterstone 2002:663; Hague 2002). Invited presentation to the 'How Critical is Research Impact?' Invited organisation of screening and panel discussion of Sasha Friedlander's (2012) documentary Where Heaven Meets Hell for Passengerfilms, London, UK, Ian Cook et al (2015) Critical making with web2.0: on the material geographies in/of followthethings.com. Whilst taking massive doses of steroids, he/they/we managed to bring together, for the first time, in one place, for research purposes a wealth of academic and popular 'follow the thing' work in a spoof 'shopping' website called followthethings.com. It outlines the findings of multi-locale ethnographic research into the globalization of food, focusing on a supply chain stretching from UK supermarket shelves to a Jamaican farm, and concluding in a North London flat. When they’re shopping for petrol or fish, or when they’re doing or thinking about completely different things. Ian Cook & Zahra Ali (2019) 'Be Curious. Do Something. Invited keynote at the White Rose DTC Inaugural Food Studies Seminar Event, University of Sheffield, UK, Ian Cook, Will Kelleher, Charlotte Brunton & Jennifer Hart (2014) followthethings.com: research & teaching through global connection. His cultural geography PhD was highly autobiographical, and took several years to be awarded. Invited keynote at the University of Leiden's Education Festival, The Netherlands, Ian Cook et al (2019) Political LEGO: think pieces. Simply select your manager software from the list below and click on download. Continue Reading All opinions expressed in posts or comments are the views of the contributors and therefore not necessarily the opinions of the Royal Geographical Society (with IBG) or John Wiley & Sons, Ltd. Within Geography at Exeter, Ian coordinates the Cultural and Historical Geographies research group, a hive of fun-based productivity involving artists, academics, postdocs, postgrads, masters students and guests approaching geographical research, teaching and public engagement through collaborative, creative practice. Go one better with our hacked scanner. It approaches these geographies in two ways. ), and the research practices needed for the work that is outlined seem undeveloped (what can we learn about capitalism’s ‘dark’ places and strategies of association and dissociation from, among others, creative digital practice?). Ian has 7 jobs listed on their profile. ‘border pedagogy’ and on students writing journals throughout the course which charted the development of their understandings of the materials they encountered. followthethings.com emerged, in significant part, from a research and pedagogic partnership with Prof. Keith Brown of Arizona State University's School of Politics and Global Studies (for details see here). This site is made for teachers, researchers, journalists, film-makers, artists and other shoppers. Practising Human Geography is critical introduction to disciplinary debates about the practice of human geography, that is informed by an inquiry into how geographers actually do research. Bideford Black is a unique pigment sourced from a 'paint seam' in the geological strata of the area, which was commercially mined until 1968. Radical geography should make connections. Over the last 20 years Dr Ian Cook, Associate Professor of Geography, has developed a ‘follow the things‘ approach to appreciating the social relations and ethics of international trade. Here students were encouraged to get more involved in these debates, to take them more personally, and to develop 'situated knowledges' about the UK as a multicultural society. This is an unbounded, … In 2012, he won the award. Geography in the news, Royal Geographical Society, October. Now active in over 90 countries worldwide, its key question to fashion brands and retailers is 'Who made my clothes?'. Match your shopping habits to our detailed guidelines and share your results with your social network. From 17 October to 22 November 2015, MoCC was featured in 'The Human Face of Cryptoeconomics' exhibition at the Furtherfield Gallery in Finsbury Park, London (see here). The introductory paper that now follows will critically review the notion of civic geographies, underlining its unsettled and maybe unsettling dimensions, as well as elaborating the rationale for an exhibition that now becomes this theme section in ACME. Geography in focus. Ian R Cook This paper examines the ways in which policies are transferred between places: how they are disembedded from, and re-embedded into, new political, economic and social contexts. Be Curious. relatedness, connectedness and care in the exchange of blood and blood Find Out. A funded project which formed part of the Action Plan for Geography. In 2017, the Royal Geographical Society (with the Institute of British Geographers) awarded Ian the Taylor and Francis Award for Excellence in the Promotion and Practice of Teaching and Learning of Geography in Higher Education. Invited keynote presentation to the ERC EUROQUAL workshop on Spatial and network analysis in qualitative research, European University Cyprus, Nicosia, Cyprus, Sirpa Tani (2018) Tarinoita papaijasta, etnografiasta ja tieteen rajojen koettelusta: haastattelussa Ian Cook ja Eeva Kemppainen. Please contact Ian Cook, Geography's Athena SWAN chair on i.j.cook@exeter.ac.uk or in person in Amory 409. by Mike Crang (Author), Ian Cook (Author) 4.6 out of 5 stars 5 ratings. It focuses on the development of the cultural geography subdiscipline and on what has made it a peculiar and unique realm of study. For further reading about research into political Lego, see Inviting construction: Primark, Rana Plaza and political LEGO. and it finishes by inviting readers to try this approach for themselves. 1986: BSc Human Sciences, University College London, UK, 1992: MA Human Geography, University of Kentucky, USA, 1997: PhD Human Geography, University of Bristol, UK. Do Something'. The approach to teaching, learning and assessment which made this possible was based on the principles of. Digicult October, Anon (2015) The Museum of Contemporary Commodities. What we conclude is that both of our projects could be seen to be working towards the same goal: to assemble a new vocabulary that is better suited for the analysis of this area of cultural economic geography. And for good reason. Invited presentation at the Food 2.0 Lab's 'Rethinking Food + Food Safety' conference, Paris, France, Ian Cook et al (2018) Minifiurative politics. products (University of Birmingham, co-supervised with Jason Chilvers), Sunnie Wu (2015-) Globalisation and the Reconstruction of Rurality: Cases Study of Canton, China (co-supervised with Jo Little and Paul Cloke). In May 2016, the MoCC website and online collection was launched and a disused shop in Exeter was turned into an IRL MoCC for three weeks (watch the video here). The materialities and injustices of the 'prolific present' are overwhelming, making attention to the production, consumption and disposal of 'stuff' an urgent matter of concern. Ian has worked in the Department of Social Sciences since 2011. Through projects attempting to de-fetishise commodities. Digital outputs such as followthethings.com risk being bypassed by more traditional practices of academic review, and our insistence that it should ‘stand on its own’ without accompanying academic papers doesn’t, admittedly, help.
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